By a 19th century, Jews were frequently portrayed as beggars or poverty-stricken peddlers — a muster describes how many Jews in England during that time were mercantile migrants with singular financial means who were forced to scratch together a vital any approach they could.
Conversely, Jews were also portrayed as miserly bankers. One of a financiers who came in for most disastrous illustration was Nathan Mayer Rothschild, who arrived from Germany in 1798, non-stop his namesake bank shortly after, and went on to financial British troops campaigns.
The muster includes an 1837 mural of Rothschild — as good as an 1829 mimic depicting him as an overweight figure with a pouch of income slung over his shoulder, titled, “The Man Wot Knows How to Drive a Bargain.”
As good as chronological items, “Jews, Money, Myth” facilities dual works of contemporary art specifically consecrated for a exhibition, including one by a Turner Prize winner, Jeremy Deller. Mr. Deller’s grant is a film: a gathering of excerpts from homemade promotion videos from a United States and Europe, cartoons, televangelist programs, presidential speeches and domestic debate ads, all of that make ambiguous or sincere references to Jews and money.