The Washington Post
Gardeners are by clarification secure to one place.
That doesn’t meant they can’t go to see other gardens. To flow your essence into gardening, we need your possess garden and we have to shepherd it over many years. You’re stuck. That is a cost of paradise.
If we are ardent about gardens yet have wanderlust, that seems like a abuse of imaginary proportion. This competence spin we into a plant explorer, a landscape photographer or, if we are Christopher Woods, into a horticultural wanderer and writer.
It was not always thus.
we initial met him roughly 20 years ago during Chanticleer, a garden in Wayne, Pennsylvania, where he was a first executive of an lively place. It was — and is — one of a sweetest gardens around, and Woods was by a time we met him already determined as a radical and a artistic guide to a group of gardeners he led. we should have guessed he was seeking change, presumably a warmer place tighten to a beach. He greeted me wearing a Hawaiian shirt and a straw hat.
He left shortly afterward, to run one garden on a West Coast and afterwards another, and afterwards we mislaid lane of his wayfaring.
“I am a nervous male during heart,” he announces, by approach of his latest creation, a book named “Gardenlust: A Botanical Tour of a World’s Best New Gardens.”
Cerebral forms (such as myself) have to be reminded that a garden, during base, is about attending to a senses, about formulating an romantic response to cultured stimulation. Woods has always espoused this, as his book attests.
Over a camber of 3 years, he visited approximately 50 gardens on 6 continents, observation such landscapes as botanical gardens, parks, residential gardens, and blurb and county landscapes. There is startling variety, such as a Naples Botanical Garden, whose creators are seeking to reason behind a mortal army of growth in Florida; and a thespian cliffside home and garden of Chilean engineer Juan Grimm. There is a 568-acre Landschaftspark in Germany, where designed gardens grow amid a hull of an deserted ironworks in a Ruhr Valley. Here, a fern flourishing in a double of rusted metal, Woods writes, “is a many pleasing thing we have ever seen. Until a successive pleasing thing.”
All these places, though, have one thing in common: They were determined given a commencement of a century, even if as partial of existent landscapes. The imagination and bid that has left into them contingency inspire anyone who thinks poignant gardens are stranded in a past or, worse, vanishing from a dreaming world.
At Alnwick Castle in England, a Duchess of Northumberland lifted and spent millions to emanate unusual garden elements that left tools of a English horticultural investiture clutching their pearls. This enclosed a $10 million treehouse and a showy H2O cascade. Woods likes a radicalism and a fact that many of a facilities are designed for people traffic with life in a depressed, postindustrial partial of Britain.
we have no enterprise to see a Miracle Garden in Dubai, that seems to be a discord of contemporary garden sensibilities. It disregards a possess dried precinct and is a place groaning underneath 45 million outlandish and parched petunias and geraniums. It seems as kitschy as it is environmentally unsustainable. Woods is a fan. However wrong this garden is to purists, it provides visitors a place to have fun, he points out, and to take children who have “such small entrance to truly immature space.”
One place I’d like to see is a private, 990-acre sculpture garden on New Zealand’s North Island combined by owners Alan Gibbs. Gibbs, an businessman and critical art collector, made a land and combined far-reaching paths, regulating complicated equipment.
“On occasion, he would blow things up,” writes Woods, “partly to mislay them and partly for a fun of it.”
we would like to follow in Woods’ footsteps to coastal Argentina, where Rolando Uria has combined a arrangement garden for his collection of salvias, a classification that is many richer than many gardeners realize. Would a 12-foot-high Salvia foveolata grow in a summer garden in Washington? It would be value putting it to a test.
Woods, who resides nearby Berkeley, California, speaks of his early affinity for plants but, usually as important, for consanguine spirits who continue to conclude their possess visions of a garden though being shackled to a past. The garden is a tellurian artifice, he writes, yet it connects to a rest of inlet and stops us from meditative of other life-forms as being separate.
“Gardens are to a hands what denunciation is to a amicable structure: a constructed, synthetic resource we’ve devised so we can explain things we see around us.”
Woods was on a other side of a universe when we attempted to strech him recently. He emailed me from New Zealand and a integrate of days after from a South Pacific. “I am now on a beach in New Caledonia looking during Araucaria columnaris. A lot of it,” he wrote. That would be a New Caledonian pine.
In a successive email from Sydney, he addressed my doubt about garden oneness around a world.
“While there is a good understanding of homogenization, quite in corporate and supervision landscapes, there is an contentment of particular creativity and even cultured oddity in contemporary garden design,” he responded. “The particular has not been consumed.”
He tells readers he is during a indicate in life when “I have some-more or reduction transposed consistent resettlement with near-constant travel. we continue to tumble in adore with this unusual universe and a botanical marvels.” we wonder, is he using from his possess mortality? Should we join him?
In a 18th century, a censor Horace Walpole spoke of a rural landscape transformation transforming grand estates such as Alnwick. Of a landscape engineer William Kent, Walpole wrote: “He leaped a blockade and saw that all inlet was a garden.” He competence have been vocalization of Chris Woods, a gardener who has always embraced a particular universe of fashionable horticulture. “The usually thing we unequivocally fear,” he told me, “is selling malls.”
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